Triangle

Course overview

Are you passionate about language, literature and culture and eager to develop your skills in a language that will take you all over the world? If so, you will love the opportunity to immerse yourself in English language and literature together with Hispanic Studies on this joint honours course.

Your time will be divided equally between these two complementary subjects, in which you'll discover parallels and points of comparison throughout the course. In English, you'll take modules covering drama and performance, English language and applied linguistics, literature (from 1500 to the present) and medieval language and literature.

On the Hispanic Studies side, the course combines core language studies and opportunities to explore the cultures and histories of the Spanish and Portuguese-speaking worlds. If you're a beginner in Spanish, an intensive beginners' course will develop your language skills rapidly, ensuring that you reach degree level by your final year. If you begin the course with A level Spanish (or equivalent), you'll study Portuguese as an additional language in year one, with opportunities to continue throughout your studies in order to reach degree level. Alongside your language modules, you'll gain expertise in Spanish and Portuguese literature and culture and the multinational histories associated with both languages.

The year abroad allows you to experience real life in a Spanish-speaking environment. Honing your language skills and gaining valuable international experience. If you are continuing with Portuguese, you will spend part of your year in Portugal and/or Brazil. For both languages, you have the choice of studying at a university, working in a school or undertaking a work placement.

By the end of the course you will have expertise in Spanish and English language and culture, with additional knowledge of Portuguese for post-A level Spanish students. You will be adept at analysing different texts and communicating your ideas. 

Find out more about the School of English and the Department of Modern Languages and Cultures.

Why choose this course?

Year Abroad

Spend a year abroad immersing yourself in the Hispanic languages and cultures

Beginners welcome!

Start learning a language from scratch on our beginners' pathway

Employability

Open up new job opportunities by studying a foreign language alongside English

Best of both worlds!

Get the best of both worlds, divide your time between the Department of Modern Languages and Cultures and the School of English

For literature lovers

Unleash your creativity in a UNESCO City of Literature, with opportunities both on campus and in the city

Great teaching

90% of students on this course say that staff are good at explaining things

A great track record

100% of our class of 2021 graduated with a 1st or 2:1 degree classification

UoN student outcomes data, Annual Monitoring (QDS) Analyses 2021


Entry requirements

All candidates are considered on an individual basis and we accept a broad range of qualifications. The entrance requirements below apply to 2023 entry.

UK entry requirements
A level ABB - including B in English, and B in Spanish if you will be following the post-A level pathway (no Spanish qualification is required for the beginners' pathway)

Please note: Applicants whose backgrounds or personal circumstances have impacted their academic performance may receive a reduced offer. Please see our contextual admissions policy for more information.

Required subjects

B in English, and B in Spanish if you will be following the post-A level pathway (no Spanish qualification is required for the beginners' pathway)

IB score 32 (certain subjects required)

Extended Project Qualification (EPQ)

If you have already achieved your EPQ at grade A you will automatically be offered one grade lower in a non-mandatory A level subject.

If you are still studying for your EPQ you will receive the standard course offer, with a condition of one grade lower in a non-mandatory A level subject if you achieve an A grade in your EPQ.

Foundation progression options

If you have faced educational barriers and are predicted BCC at A Level, you may be eligible for our Foundation Year. You may progress to a range of direct entry degrees in the arts and humanities.

Mature Students

At the University of Nottingham, we have a valuable community of mature students and we appreciate their contribution to the wider student population. You can find lots of useful information on the mature students webpage.

Learning and assessment

How you will learn

The majority of the language teaching you will experience on this degree will be led by native speakers.

Class sizes vary depending on topic and type. A lecture may have up to 300 students attending with seminar groups of up to 20. These are taught in English. Language classes are delivered in the relevant language.

Weekly tutorial support and the accredited Nottingham Advantage Award provide further optional learning activities, on top of these class contact hours. Your lecturers will also be available outside your scheduled contact time to discuss issues and develop your understanding.

Teaching Quality

Our staff know that studying complex subjects can sometimes seem challenging (they've all been where you are!) and take pride in their teaching. Demonstrating this we're proud to have won many Lord Dearing Awards across the two departments. These recognise outstanding student learning and are based on nominations from students and other academics.

If you have worries about your work we won't wait for them to become problems. You'll have a personal tutor who will review your academic progress and help find solutions to any issues.

Teaching methods

  • Lectures
  • Oral classes
  • Practical classes
  • Seminars
  • Tutorials
  • Workshops

How you will be assessed

Following your year abroad your improved language skills and improved cultural understanding will be assessed through a mix of presentations and written assignments.

Assessment methods

  • Commentary
  • Dissertation
  • Essay
  • In-class test
  • Oral exam
  • Portfolio (written/digital)
  • Presentation
  • Reflective review
  • Written exam

Contact time and study hours

An average week will have between 12 and 15 hours of classes.

As well as scheduled teaching you’ll carry out extensive self-study such as preparation for seminars, assessments and language practice. As a guide 20 credits (a typical module) is approximately 200 hours of work (combined teaching and self-study).

Study abroad

Your third year is spent in Spain and/or Spanish America doing one of the following:

  • studying at a university
  • working as a language teaching assistant
  • doing a work placement

If you intend to carry on with Portuguese after year two you may also spend the year in Portugal and/or Brazil.

We’re dedicated to ensuring that your Year Abroad runs as smoothly as possible and have university staff to provide you with support whilst you are overseas.

For more information, see our Year Abroad page.

Placements

During the four years you'll be with us, there are lots of opportunities for you to gain workplace experience.

During your year abroad - you may undertake a work placement within a company during your year abroad.

The UoN Careers Service - the Careers and Employability Service are on hand to help you find just the right work experience, placement, internship or volunteering opportunity for you.

Nottingham Advantage Award -boost your employability with a range of employer-led projects and career development opportunities through the Nottingham Advantage Award.

Programmes offered by your schools - both English and Modern Languages have well developed work experience and volunteering opportunities. They help you develop skills and experience that allow you to stand out to potential employers and become 'workplace-ready'.

Study Abroad and the Year in Industry are subject to students meeting minimum academic requirements. Opportunities may change at any time for a number of reasons, including curriculum developments, changes to arrangements with partner universities, travel restrictions or other circumstances outside of the university’s control. Every effort will be made to update information as quickly as possible should a change occur.

Why study more than one subject?

Watch our animation about studying a joint honours degree with us.

Modules

Our first-year core modules are designed as an introduction. This means that we will build everyone's knowledge to the same level, so you can progress through to year two.

Post-A level Spanish pathway

You will study three core modules: Spanish language, Portuguese language, and a module introducing you to Spanish literature.

Beginners' Spanish pathway

You will take two core modules in Spanish language and literature.

English

You will choose three modules from the four main areas of the discipline that the degree focuses on: Medieval language and literature, literature since 1500, drama and performance and applied linguistics. Each will give you a thorough grounding in the relevant area and influence your studies in years two and four.

Post-A level Spanish modules

Spanish 1

Welcome to Spanish at the University of Nottingham — this is where your journey to Spanish fluency shall really begin to take off!

Designed for students who have completed an A level in the language, this module will support you to improve in all the key areas of language acquisition: reading, writing, listening and speaking. To keep the classes interesting and relevant we'll use a wide range of source material from newspapers, audio-visual content and websites.

Through this, not only will your speaking and comprehension skills improve, but also your grammar usage and ability to understand the language in different contexts.

You'll also become more culturally aware of the countries that make up the Spanish-speaking world and get a better understanding of their varying current affairs and cultures.

Portuguese 1: Beginners

Aimed at total beginners (or those with a little knowledge) this lively module will lay the foundations for your Portuguese language skills. Right from the first class we'll help you feel confident in gaining the key skills of reading, writing, listening and speaking.

We appreciate the importance of using interesting, relevant materials to aid your learning and will make use of a range of texts covering subjects from everyday life to current affairs. This way you will not only learn the Portuguese language, but also cultures from the lusophone world.

By the end of the module you will have the ability to understand spoken Portuguese, produce written texts and participate in conversations.

Literature in Spanish

This module is designed as a foundation for all later modules covering Spanish and Portuguese literatures. The main aims of this module are to give you a general introduction to literature and the study of literature, while providing you with a partial overview of literary writing in the Spanish language. As well as to introduce some of the key theoretical issues of literary study and instil good reading and critical habits. Through this you will be tested on your skills in close reading, textual analysis, seminar participation and the ability to write cogent and convincing commentaries and essays. This module is worth 20 credits.

Beginners' Spanish modules

Spanish 1: Beginners

Welcome to Spanish at the University of Nottingham — this is where your journey to Spanish fluency begins!

Designed for students who have little or no prior experience of the language, this module will support you as you develop all the key areas of language acquisition: reading, writing, listening and speaking. To keep the classes interesting and relevant we'll use a wide range of source material from newspapers, audio-visual content and websites.

Through this, not only will your speaking and comprehension skills improve, but also your grammar usage and ability to understand the language in different contexts. By the end of this module, you'll be able to read basic texts, follow everyday conversations and engage in social conversation.

You'll also become more culturally aware of the countries that make up the Spanish-speaking world and get a better understanding of their varying current affairs and cultures.

Literature in Spanish

This module is designed as a foundation for all later modules covering Spanish and Portuguese literatures. The main aims of this module are to give you a general introduction to literature and the study of literature, while providing you with a partial overview of literary writing in the Spanish language. As well as to introduce some of the key theoretical issues of literary study and instil good reading and critical habits. Through this you will be tested on your skills in close reading, textual analysis, seminar participation and the ability to write cogent and convincing commentaries and essays. This module is worth 20 credits.

English modules

Studying Literature

This module introduces the core skills for literary studies, including skills in reading, writing, researching and presentation. Topics covered include:

  • close reading
  • constructing an argument
  • handling critical material
  • introducing you to key critical questions about literary form, production and reception

You will put these new skills into practice through reading specific literary texts. These are focused on poetry and prose selected from the full range of the modern literary period (1500 to the present).

Across the year, you will learn about different interpretive approaches and concepts, and will examine literary-historical movements and transitions.

This module is worth 20 credits.

Studying Language

On this module you will learn about the nature of language, and how to analyse it for a broad range of purposes. It aims to prepare you for conducting your own language research across your degree.

The accompanying weekly workshops will explore levels of language analysis and description – from the sounds and structure of language, through to meaning and discourse. These can be applied to all areas of English study, and will prepare you for your future modules.

In your lectures, you will see how our staff put these skills of analysis and description to use in their own research. This covers the study of language in relation to the mind, literature, culture, society, and more. Your seminars then give you a chance to think about and discuss these topics further.

This module is worth 20 credits.

Drama, Theatre, Performance

Who makes theatre? Where does performance happen, and who is in the audience? How is society represented on stage?

These questions are at the heart of this module, and we will explore the extraordinary variety of drama in the Western dramatic tradition. You will examine dramatic texts in relation to their historical context, spanning:

  • ancient Greek tragedy
  • medieval English drama
  • Shakespeare and his contemporaries
  • the Restoration stage
  • 19th century naturalism
  • political theatre of Brecht
  • drama and performance, for example the West End hit Emilia by Morgan Lloyd Malcolm (2018), a celebration of women’s voices and history, inspired by the life of the trailblazing 17th century poet and feminist Emilia Bassano

Alongside texts, you'll also consider the extra-textual features of drama, including the performance styles of actors, the significance of performance space and place, and the composition of various audiences.

You will study selected plays in workshops, seminars and lectures, where we will explore adaptation and interpretation of the texts through different media resources. You can also take part in practical theatre-making, exploring extracts from the selected play-texts in short, student-directed scenes in response to key questions about performance.

This module is worth 20 credits.

Beginnings of English

What was the earliest literature in English like? Where does English come from? What does ‘English’ really mean, anyway?

On this module, we’ll explore a range of English and Scandinavian literature from the medieval period. You'll also meet themes and characters who are at once familiar and strange: heroes and heroines, monster-slayers, saints, exiles, tricksters, lovers, a bear, and more.

From Tolkien to Marvel, the medieval past has been an inspiration for fantasy fiction and modern myth. As well as introducing you to stories and poetry which is exciting, inspiring and sometimes plain weird, we’ll also be looking at some of the challenges of the modern world.

Thinking about the past, means thinking about how it is used in the present day. The idea of a 'beginning' of English language and literature often gets incorporated into modern beliefs about national, ethnic and racial identity. On this module, we’ll begin the necessary work of challenging these ideas and building a better understanding of the medieval past and why it still matters.

This module is worth 20 credits.

The above is a sample of the typical modules we offer but is not intended to be construed and/or relied upon as a definitive list of the modules that will be available in any given year. Modules (including methods of assessment) may change or be updated, or modules may be cancelled, over the duration of the course due to a number of reasons such as curriculum developments or staffing changes. Please refer to the module catalogue for information on available modules. This content was last updated on Wednesday 10 August 2022.

Hispanic Studies

All students take a core Spanish language module at the appropriate level, developing fluency and confidence in preparation for work or study during the year abroad.

If you studied Portuguese in year one, you may continue your study of the language this year.

Your remaining optional modules will expand your knowledge of Hispanic cultures, societies and histories. (Please note, not all optional modules may be available to those who start Spanish at beginners' level).

English

Depending on your module choices in your first year, you will choose three modules that cover at least two areas of study, allowing you to begin to specialise while still engaging with different aspects of English as a discipline.

Spanish core module (post A level Spanish)

Spanish 2

This module will build on the language and cultural skills developed in year one and get you started on your exciting journey towards degree-level Spanish. Over the year, we're going to take you to the next level so by the end of the module you'll be ready to spend time living in a Spanish-speaking country.

We'll further develop your grammar and communication skills, building your confidence so that you feel happy working or studying abroad during year 3. We know the thought of essay writing in another language may feel daunting, but we will help you develop these skills to competence.

To prepare you for participating in conversation with fluency we'll pay special attention to developing your ability to use complex sentence structures and rhetoric. You'll get plenty of practice during laboratory classes where you'll have access to a wide range of contemporary audio-visual materials.

Spanish core module (beginners level)

Spanish 2: Beginners

This module will build on the language and cultural skills developed in last year's beginners' classes and will get you started on your exciting journey towards degree-level Spanish. Over the year, we're going to take you to the next level so by the end of the module you'll be ready to spend time living in a Spanish-speaking country.

We'll further develop your grammar and communication skills, building your confidence so that you feel happy working or studying abroad during year three. We know the thought of essay writing in another language may feel daunting, but we will help you develop these skills to competence.

To prepare you for participating in conversation with fluency we'll pay special attention to developing your ability to use complex sentence structures and rhetoric. You'll get plenty of speaking and writing practice during classes, collaborative projects and on your own time through a wide range of online and in-person interactive activities.

Spanish optional modules

New World(s): Contacts, Conquests and Conflict in Early Modern Hispanic History and Culture

Explore relations between early modern Spain, Portugal and their empires through art, cinema and historical documents to better understand the Spanish and Portuguese speaking countries in Latin America today.

Together we’ll study paintings starting from the mid-15th century in Portugal where voyages of ‘discovery’ were well under way, to Mexico and Brazil in the late eighteenth century.

To explore the political and cultural relations between the old countries in Europe and the new lands in the Americas we’ll read travelogues, testimonies and political discussion about the New World and look at modern cinematic and theoretical responses to the conquest and colonisation of the Americas.

These complementary areas of history and culture are perfectly balanced to help you understand how the Portuguese and Spanish empires are so relevant to contemporary global geo-politics.

Modern Spanish and Spanish American Literature and Film

In this module you will explore a cultural period in the Hispanic world characterised by profound social change and the emergence of major world-figures of modern art (eg Pablo Picasso). It is structured around key literary and artistic movements from Spain and Spanish America from the early 19th century to the late 20th century, such as Romanticism, Realism, and Modernism. A large part of your focus will be reading literary and visual texts of the period in relation to the socio-economic and political context of Spain’s and Spanish America’s rapid, but hugely uneven, modernisation.

Individual novels, plays, films, paintings or poems will also be used to exemplify and explore particular movements and historical moments. You will develop skills in close analysis of complex texts, an understanding of some of the major directions of Spanish and Spanish American literature in the 20th century, and the ability to relate texts studied to historico-cultural contexts. This module is worth 20 credits.

Portuguese 2: Beginners

Building on the foundations laid in Portuguese 1 Beginners (MLAC1049), this module will improve not only your language skills but also your confidence.

We'll continue using relevant contemporary materials such as websites, newspapers, magazines and video content to improve your understanding, but we'll also dive deeper into grammar awareness and sentence structure.

You'll grow your vocabulary and focus on areas you may need whilst working or studying in a lusophone country. Listening comprehension skills will be further developed to ensure you feel comfortable taking part in authentic speed conversations.

Nation Building and National Identities in the Lusophone World

If you are studying Portuguese, this modules gives you an introduction to some of the major texts of the Portuguese-speaking world. The commonality of language derives from the colonial experiences of the Portuguese Empire, which resonate through the cultures from the sixteenth century to the twentieth century.

We will examine the ways in which ideas of nationhood and national identity have been expressed and constructed through the cultures of the Lusophone world. The texts studied explore the ways in which cultural production (through the arts) is embedded in the formation of nationhood and ideas about national identity. Culture is therefore examined through and in its political and historical context. The module will address questions of nationalism and identity as expressed through language, race and place, as well as issues relating to globalisation.

New World(s): Contacts, Conquests and Conflict in Early Modern Hispanic History and Culture

Explore relations between early modern Spain, Portugal and their empires through art, cinema and historical documents to better understand the Spanish and Portuguese speaking countries in Latin America today.

Together we’ll study paintings starting from the mid-15th century in Portugal where voyages of ‘discovery’ were well under way, to Mexico and Brazil in the late eighteenth century.

To explore the political and cultural relations between the old countries in Europe and the new lands in the Americas we’ll read travelogues, testimonies and political discussion about the New World and look at modern cinematic and theoretical responses to the conquest and colonisation of the Americas.

These complementary areas of history and culture are perfectly balanced to help you understand how the Portuguese and Spanish empires are so relevant to contemporary global geo-politics.

Modern Spanish and Spanish American Literature and Film

In this module you will explore a cultural period in the Hispanic world characterised by profound social change and the emergence of major world-figures of modern art (eg Pablo Picasso). It is structured around key literary and artistic movements from Spain and Spanish America from the early 19th century to the late 20th century, such as Romanticism, Realism, and Modernism. A large part of your focus will be reading literary and visual texts of the period in relation to the socio-economic and political context of Spain’s and Spanish America’s rapid, but hugely uneven, modernisation.

Individual novels, plays, films, paintings or poems will also be used to exemplify and explore particular movements and historical moments. You will develop skills in close analysis of complex texts, an understanding of some of the major directions of Spanish and Spanish American literature in the 20th century, and the ability to relate texts studied to historico-cultural contexts. This module is worth 20 credits.

Hispanic Cinemas

Take your understanding of Spanish and Portuguese further by delving into the rich history of cinema in Spain, Portugal, Latin America and Portuguese-speaking Africa. This will assist your language skills and also deepen your knowledge of a diversity of global cultures.

In the first semester we'll examine cinema from Spanish America since the 1960s, then, in the second semester, cinema from Brazil, Portugal and Africa. In so doing, we'll address questions of cinematic style and technique, socio-historical contexts and the politics of film-making.

Don't worry if you're just starting out on your language journey, the films will be available with English subtitles.

English modules

Literature, 1500 to the present

Victorian and Fin de Siècle Literature: 1830-1910

Explore a wide variety of Victorian and fin-de-siècle literature, with examples taken from fiction, critical writing and poetry.

You will examine works by Elizabeth Barrett Browning, Alfred Lord Tennyson, Charles Dickens, Mary Elizabeth Braddon, Oscar Wilde, Henry James, HG Wells and Joseph Conrad.

We will focus on understanding changes in literary forms and genres over this period, and how these relate to broader developments in Victorian social, economic and political culture.

The module is organised around the following interrelated themes:

  • Empire and race
  • Class and crime
  • Identity and social mobility
  • Gender and sexuality
  • Literature and consumerism

This module is worth 20 credits.

Shakespeare and Contemporaries on the Page
This module focuses on material written between 1580 and 1630 to provide you with an introduction to methods of reading early modern texts. Shakespeare’s poetry will be among the core texts; other canonical writers will include Christopher Marlowe, Edmund Spenser, Philip Sidney and John Donne. You’ll explore the practice of historicised readings of early modern texts and you’ll consider the related challenges and limitations. You’ll have one hour of lectures and two hours of seminars each week.
From Talking Horses to Romantic Revolutionaries: Literature 1700-1830

This module introduces different kinds of literature, written between 1700-1830. This was a dramatic time in literary history, resulting in the Romantic period. It involved many areas of great contemporary relevance, such as class, poverty, sexuality, and slavery.

We will examine:

  • utopian literature (through Gulliver’s Travels)
  • the developing novel (such as Moll Flanders and Pride and Prejudice)
  • how irony works
  • what is self-expression
  • how the emergent genre of autobiography can be either manipulated, or used as part of a larger cause

As part of this module, you will explore novels, poems, and prose works that bring to life the intellectual, social and cultural contexts of the period.

This module is worth 20 credits.

Literature and Popular Culture

This module investigates the relationship between literature and popular culture. You will explore works from across a range of genres and mediums, including:

  • prose fiction
  • poetry
  • comics
  • graphic novels
  • music
  • television
  • film

As well as exploring topics such as aesthetics and adaptation, material will be situated within cultural, political and historical contexts allowing for the distinction between the literary and the popular.

This module is worth 20 credits.

Modern and Contemporary Literature

This module charts the dramatic transformations and innovations of literature in the 20th and 21st centuries.

Moving between genres, the module unfolds chronologically from modernism, through the inter-war years, and into postmodernism and the contemporary scene.

We explore some of the huge artistic shifts of this long and turbulent period. You will examine how modern and contemporary literature connects to the cultural revolutions, intellectual debates, political and social upheavals, and ethical complexities of its times.

This module is worth 20 credits.

Texts Across Time
This module will consider key issues in the study of English language and world literature, locate language and literature in time and place, and extend your knowledge of the intellectual, political, historical, and cultural developments in language and literature.

English Language and Applied Linguistics

Literary Linguistics

All literature is written in language, so understanding how language and the mind work will make us better readers and critics of literary works.

This module brings together the literary and linguistic parts of your degree. It gives you the power to explore any text from any period by any author.

You will study how:

  • Literature can feel rich, or pacy, or suspenseful, or beautiful
  • Texts can make you laugh, cry, feel afraid, excited, or nostalgic
  • Fictional people like characters can be imagined
  • We can get inside the thoughts, feelings, and hear the speech of characters, narrators and authors
  • Imagined worlds are built, and how their atmosphere is brought to life
  • You as a reader are manipulated or connect actively with literary worlds and people

This module is worth 20 credits.

The Psychology of Bilingualism and Language Learning

Are you interested in languages and the multilingual world? Have you ever wondered how our brains process learning a second language? Would you like to teach English overseas one day? If so, this module could be for you.

Drawing on current theories of second language acquisition, we will consider:

  • How globalisation has increased bilingualism in the world
  • How languages are learnt
  • How students differ from each other in their mastery of languages
  • How the psychology of the classroom environment impacts the effectiveness of learning
  • How to motivate students and create good learner groups

You will spend three hours per week on this module, split equally between a lecture and follow-up seminar.

This module is worth 20 credits.

Language Development

You’ll explore how English is learnt from making sounds as an infant through to adulthood. Topics relating to early speech development include: the biological foundations of language development, the stages of language acquisition and the influence of environment on development. Further topics which take into account later stages of development include humour and joke telling abilities, story-telling and conversational skills and bilingualism.

Language in Society

When we study language, we learn about how society works. Why do some people have more noticeable accents than others? Why are some people taken seriously when they talk, while others aren’t? How do those with power use language to manipulate us into thinking a certain way?

On this module, these are the sorts of questions you’ll be thinking about. We focus on how people use language, how language varies between different speakers, and how language is used to represent different social groups. We consider:

  • The way that language is used by people online to create communities
  • How the mainstream media uses language to represent particular groups, such as immigrants or gay people
  • The ways that language is used in particular contexts, such as the workplace
  • How advertisers use language to persuade us that we need their products
  • The relationship between language, gender and sexuality
  • How language can be used to signal a person’s race or ethnicity

You’ll learn how to conduct a sociolinguistic study which explores topics such as these. You will also spend time each week analysing original language data.

The module is worth 20 credits.

Texts Across Time
This module will consider key issues in the study of English language and world literature, locate language and literature in time and place, and extend your knowledge of the intellectual, political, historical, and cultural developments in language and literature.

Medieval languages and literatures

Ice and Fire: Myths and Heroes of the North

Odin, Thor and Loki: almost everyone has heard about them, but where do their stories come from?

In this module, we will learn about the origins of their myths from various sources: images on stone and wood in the Viking Age, as well as the written texts of the Middle Ages.

We will learn about giants, dwarves, valkyries and rumour-spreading squirrels, as well as the cosmology and religion which are embedded in Old Norse mythology. We will talk about heroes and villains, from dragon-slayers to queens who kill to avenge their brothers.

The stories of Old Norse mythology have influenced writers throughout history. from Tolkien to the Marvel Universe, they are still part of our culture. This module will take you back to the beginnings and show that there are so many more marvellous myths to explore.

The module is with 20 credits.

Chaucer and his Contemporaries

Chaucer dominates our conception of late Middle English literature, but he was one among several exceptional writers of his time.

This module focuses on 40 years of writing, to consider whether Chaucer’s concerns with identity and authority, comedy and tragedy, and wit and wisdom are uniquely his, or shared with other writers.

We will cover a wide range, including:

  • romance
  • dream vision (both mystic and secular)
  • love poetry
  • lyric

You will read works by the so-called Ricardians: Chaucer, Gower, the Gawain-poet, and Langland, but also the mystic writings of Julian of Norwich and Margery Kempe and some poetry by Thomas Hoccleve.

By the end of the module, you will have gained confidence in reading and discussing Middle English texts, and be aware of key issues around form, language, and authority and influence.

This module is worth 20 credits.

Old English: Reflection and Lament
This module explores the tradition that the poetry and prose of Old English often focuses on warfare and heroic action. You will study and analyse poems from the Exeter Book 'elegies' and also passages from Beowulf to explore this rich and rewarding genre. You'll have a two-hour lecture and one-hour seminar each week for this module.
Names and Identities

What can given names, surnames and nicknames tell us about people in the past? What determines the choice of a name for a child? Where does our hereditary surname system come from? How have place, class and gender impacted upon naming through time? This module will help you answer all these questions and more. Interactive lectures and seminars, and a project based on primary material tailored to each participant, will introduce you to the many and varied, fascinating and extraordinary types of personal name and their origins.

Drama and Performance

From Stanislavski to Contemporary Performance

Develop your understanding of some of the most influential performance theories and practice, from the beginning of the 20th century to the present. 

Building on the ‘Drama, Theatre, Performance’ module, you will deepen your understanding of Stanislavski and Brecht in practice, as well as exploring the work of other influential theorists and practitioners. 

Possible material includes: 

  • Konstantin Stanislavski
  • Vsevolod Meyerhold
  • Bertolt Brecht
  • Antonin Artaud
  • Jacques Lecoq
  • Ensemble physical theatre makers such as DV8, Gecko & Frantic Assembly 

For this module, you’ll have a mix of lectures and practical workshops, totalling three hours a week.

Workshops offer the opportunity for practical drama. You will explore theory in practice, through work with excerpts from canonical theatrical scripts and other performance scripts.

This module is worth 20 credits.

Twentieth-Century Plays

Theatre makers in the long 20th century have been dealing with a series of pressing artistic and social issues, many of which still concern us today.

These issues include:

  • What makes a play worth watching?
  • Why do audiences enjoy watching bad things happening?
  • How are minority groups represented on the stage?
  • How might the stage advance the cause of gender or sexual equality?
  • What role does social class or nationality play in the workings of theatrical culture?
  • How can we talk accurately about an art form like performed theatre, that is so fleeting and transitory?

In order to answer such questions, this module gives an overview of key plays and performances from the 1890s to the present. You will study these key texts in their original political, social, and cultural contexts. You will also:

  • consider their reception and afterlife
  • focus on the textual and performance effects created
  • place the texts alongside the work of relevant theorists and practitioners

This module is worth 20 credits.

Shakespeare and Contemporaries on the Stage
This module offers an in-depth exploration of the historical and theatrical contexts of early modern drama. This module invites students to explore the stagecraft of innovative and provocative works by Shakespeare and key contemporaries, such as Middleton, Johnson, and Ford (amongst others). Students will explore how practical performance elements such as staging, props, costume and music shape meaning. You’ll have one hour-long lecture and one two-hour long seminar each week, with occasional screenings.

Optional placement module

Work placement

Combine our in-depth sector knowledge with the Careers and Employability Service skills development experience to get noticed when applying for jobs and during interviews.

From constructing an outstanding CV to practicing graduate level interview skills we'll build on your existing abilities.

You'll also get something concrete to talk about through a multi-week work placement. This will be tailored as far as possible to your subject and career aspirations.

This sort of attention to detail is what makes Nottingham graduates some of the most sought after in the job market.

This module is worth 20 credits.

The above is a sample of the typical modules we offer but is not intended to be construed and/or relied upon as a definitive list of the modules that will be available in any given year. Modules (including methods of assessment) may change or be updated, or modules may be cancelled, over the duration of the course due to a number of reasons such as curriculum developments or staffing changes. Please refer to the module catalogue for information on available modules. This content was last updated on

Your third year is spent in Spain and/or Spanish America doing one of the following:

  • studying at a university
  • working as a language teaching assistant
  • doing a work placement

If you intend to carry on with Portuguese after year two you may also spend the year in Portugal and/or Brazil.

Hispanic Studies

All students take the same core Spanish language module, and choose from a wide range of optional modules in Hispanic literatures, cultures, history, politics and society. You may choose to write a dissertation under expert supervision.

English

You will choose optional modules across at least two of the areas of the discipline that the degree focuses on, benefiting from the research expertise of our staff.

Hispanic core module

Spanish 3

This advanced module will be your final step towards fluency, training you in a more formal, sophisticated register of spoken and written Spanish.

We'll continue to use a wide range of authentic Spanish texts to further deepen your knowledge and confidence at this advanced level. We'll look at how the texts are put together so that you may use these skills within your written and spoken Spanish, taking you to the highest level of proficiency.

Hispanic optional modules

Spanish American Narrative and Film

This module looks at key 20th century Spanish American novels and short stories and considers issues such as race, gender, sexuality and the conflict of cultures. You will be trained in using a broad range of tools of narrative and rhetorical analysis so as to engage in debates about literary representation and aesthetics, and will hone your use of these through a programme of research tasks, seminar presentations, group discussions, and written assignments.

Literature and Films, Conflict and Post-Conflicts

Explore how literature and film can give us a deeper insight into the experiences of conflict in 20th and 21st-century Latin American and Iberian societies.

Together we’ll investigate the way in which film and literature have reflected, resisted, interrogated and remembered the socio-political violence and conflicts that have shaped the 20th and 21st centuries so far in Europe (with a particular emphasis on the Iberian Peninsula) and Latin America (including Brazil).

Your Spanish and Portuguese language skills (along with translations or subtitles where needed) will help you adopt a comparative approach focussing on the formal experiments and common preoccupations of filmmakers and writers across different national cultures and historical contexts.

You will discuss questions around a range of themes which may include; authoritarianism, confronting colonial and neo-colonial practices, racial and class inequality, social injustice, gender and sexuality, and living on with the legacies of past traumas.

You can expect to discuss works by writers such as Roberto Bolaño, Ruben Fonseca, Alejandro Zambra, Mariana Enríquez, Clarice Lispector and Liliana Heker. Feature films and documentaries by Alfonso Cuarón, Pedro Almodóvar, Kleber Mendonça Filho, Claudia Llosa, Patricio Guzmán and Susana de Sousa Dias will also be discussed.

Brazilian Slave Society

This module aims to provide you with an understanding of the centrality of the history of slavery in the study of Brazil, and of the significance of Brazilian slavery in both the transatlantic slave systems, and slave societies across the Americas.

In the process, you will learn to recognise and use the different historical approaches, tools and skills employed in the historiography of slavery studies, and in social history in general, and to incorporate them into their own analyses of aspects of Brazilian slave society.

Portuguese 3

This advanced module will be your final step towards fluency. We'll build on your grammatical competence and assist you to develop a more sophisticated and formal register of vocabulary, idiom and advanced syntax.

During class you'll gain the ability to discuss a wide range of topics in written and spoken Portuguese, giving you the confidence to converse articulately upon complex and intellectual subjects.

Culture and Society across the Portuguese-speaking World

This module uses a focus on identities and identity formation, as represented or articulated in literary, cinematic and visual texts, as the basis of a chronological survey of the development of lusophone societies and cultures in the long 20th century (roughly, from 1880 to the present). Approaches to these set texts will introduce, and equip you to evaluate, a history of changing conceptions both of racial, ethnic, sexual, and class identity.

The module will explore how shifts in social taxonomies and conceptions of community and difference relate both to scientific and philosophical discoveries and innovations and to the changing political and socio-economic structures of Portugal and the African territories formerly subject to Portuguese colonial rule. It will also provide an introduction to the study of the concept of identity itself, and of the interrogation, by psychoanalysis and post-structuralist thinking, of preconceptions of either individual or collective identities as stable and unitary. 

Politics and Literature in Contemporary Spain

You may believe that politics and literature are two distinct fields of study, but this module will help you understand the complex but integral relationship between the two.

We’ll explore the representation of key social and political issues within contemporary Spanish literature. You’ll discover how literature in late capitalism, and contemporary ‘Hispanic’ authors in particular, dealt with issues of language, identity, culture, society, nationhood, gender, class, memory, time and writing.

We also explore debates regarding the consistency of the categories of ‘Spain’ and ‘Spanishness’ when analysing cultural production in contemporary Iberia. This shall lead us to assess the competing discursive practices involved in remapping the notion of Spanish canonical literature at the beginning of the new millennium.

Business and Society in Spain

Taught in Spanish, this module has been designed to give you a thorough insight into Spanish business including the contexts that have influenced its development and the ways it interacts with wider society.

We'll investigate a range of factors that have shaped the Spanish business landscape since the transition to democracy, such as:

  • changes within the global and European regulatory environment
  • ideological factors
  • entrepreneurship
  • government action to attract foreign investors, promote Spanish FDI and boost trade with regions such as Latin America, Europe and China.

You'll not only gain a historical understanding, but a contemporary perspective too by looking at case studies of both companies like Inditex (the owners of Zara and other important fashion brands) and important Spanish industries such as tourism. The module also explores some of the less positive impacts and criticisms of Spanish business practices relating to the environment, debt and corruption.

Making the Cuban Revolution: Ideology, Culture and Identity in Cuba since 1959

Free education from cradle to grave has been central to modern Cuba’s cultural and ideological identity. This module will encourage you to explore Cuba’s revolutionary change since 1959, through an examination of its evolving ideologies. You’ll review the critical factors of nationalism, dependency, radicalism and leadership which shaped developments from the original rebellion up to the present day.

 

Together we’ll discover the role of education policies and the ways in which a ‘cultural revolution’ was fundamental to the socialisation process of, and popular participation in (or dissent from) the Revolution.

 

This study will help you form conclusions about both the meaning of ‘ideology’ within the context of the Revolution, and the international geo-political significance of Cuba's self-definition and evolution.

Literature and Film under Franco

One of the best ways to truly understand a nation is to study its culture. Together we’ll explore a key moment in 20th century Spanish history, literature and film-making. By looking at the context and circumstances in which filmic and literary texts were produced under Franco you’ll develop awareness of generic conventions in both literature and film and perfect your skills in close textual analysis. 

You will gain a solid knowledge of the Franco régime and of the literature and film produced at this time, plus an understanding of the conditions for cultural production under the Dictatorship. 

By the end of the module, you will have developed a good command of the concepts and vocabulary required to analyse literary and filmic texts, a capacity for close reading and textual analysis, as well as presentation skills and research and essay-writing skills.

Dissertation in Hispanic Studies

This module aims to provide you with the training necessary to be able to engage independently, under the guidance of a supervisor, in self-directed research on a topic that the student selects on the basis of an aspect of your Year Abroad experience.

Through a series of one-on-one tutorials, and the submission of a proposal, a literary review, and chapter draft, the student is advised on how to sustain an argument over up to 7,000 words, and how to underpin this argument with appropriate and innovative research.

Communicating and Teaching Languages for Undergraduate Ambassadors

In this module students learn to devise and develop projects and teaching methods appropriate to engage the age and ability group they are working with. The module enables students to gain confidence in communicating their subject, develop strong organisational and interpersonal skills, and to understand how to address the needs of individuals.

English optional modules

Literature, 1500 to the present

Songs and Sonnets: Lyric poetry from Medieval Manuscript to Shakespeare and Donne

Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.

Contemporary Fiction

Explore the novel from the late twentieth century onwards, in Britain and beyond.

We will concentrate on the formal operations and innovations of selected novelists, considering how the contemporary socio-historical context influences these questions of form. Topics considered include:

  • an interrogation of the ‘post-consensus novel’
  • an exploration of postcolonial texts which represent the transatlantic slave trade
  • the cultural politics of late twentieth-century and twenty-first century Scottish literature

Contemporary fiction is focused on writing emerging from Britain and closely-related contexts in the post-war period. This module offers strands structured around a number of political, social and cultural frameworks in Britain. These include:

  • formal analysis and literary innovations in Britain
  • temporalities and the representation of time
  • issues of gender, race and class
  • histories of colonialism and slavery
  • national traditions and politics of state
  • the country and the city
  • postmodernism

This module particularly explores the network of relationships between context, content and form, supported by related literary and cultural theory and philosophy.

This module is worth 20 credits.

Single-Author Study

This stranded module provides students with a detailed introduction to the major works of a single author (e.g. James Joyce, Virginia Woolf, D. H. Lawrence). Students will select one author to study from a range on offer. They will then have the opportunity to consider in detail important thematic and stylistic aspects of their chosen author’s work, taking account of the chronological development of his/her writing practice (if relevant), and his/her relationship to key historical and literary contexts.

The Gothic Tradition

This module focuses on the connections between literary texts, politics, and relevant historical/cultural contexts in gothic texts. You may cover:

  • poetry
  • novels
  • graphic novels
  • films

Examples include The Haunting of Hill House (both Shirley Jackson’s novel and the Netflix adaptation), The Gilda Stories by Jewelle Gomez, and Saga of the Swamp Thing by Moore, Bissette and Totleben, and The Visions of the Daughters of Albion by William Blake.

You will explore various critical and theoretical approaches to literature, film, comics, adaptation, and popular culture. The module also seeks to decolonise Gothic Studies, including work by creators from a wide range of backgrounds who identify with a diverse range of subject positions.

This module is worth 20 credits.

Island and Empire
While the vexed questions of British identity and its relationship to empire have been at the forefront of political debate in the last decade, they have also been integral to literary production for many centuries. This module interrogates English and British representations of colonisation and empire, within Great Britain and Ireland and with particular reference to India. Well known writers such as Edmund Spenser, Jonathan Swift, Walter Scott, Arthur Conan Doyle, Rudyard Kipling and Salman Rushdie, will be set against less familiar voices, to consider the ways in which dominant narratives come about and can be challenged.
Oscar Wilde and Henry James: British Aestheticism and Commodity Culture

Henry James and Oscar Wilde had a passionate dislike of each other, as well as very different values. Even so, they moved in similar circles. Both men found themselves at the centre of British cultural and intellectual life, experimenting within the same set of literary, critical and theatrical modes.

This module uses the writings of Oscar Wilde and Henry James, alongside some of their contemporaries, to examine changes in literary culture and the practices of literary composition in the late 19th century.

We will explore:

  • The role of new technology in literary creativity
  • The growth of mass and 'celebrity' culture
  • The development of consumerism and resulting commodification of literary art
  • The changing relationship of art to politics
  • Anxieties about artistic originality and plagiarism
  • Attempts (via censorship) to police literary expressivity

You will study a range of texts by Wilde and James, including drama, fiction and criticism. These will be compared with pieces by a number of their contemporaries (including Walter Pater and William Morris), in order to assess both the modernity and radicalism of their writings.

This module is worth 20 credits.

The Self and the World: Writing in the Long Eighteenth Century

The years from 1660 to 1830 are enormously important, especially in terms of the representation of the self in literature: Milton promoted the idea of the poet inspired by God; Pope and Swift mocked the possibility of anyone truly knowing their self; Wordsworth used poetry to explore his own life; and Byron and Austen provided ironic commentaries on the self-obsessions of their peers. This period also saw the rise of the novel (a form that relies upon telling the story of lives), a flourishing trade in biography, and the emergence of new genre, autobiography. This module will look at some of the most significant works of the period with particular reference to the relationship between writers and their worlds. Topics might include: the emergence, importance and limitations of life-writing; self- fashioning; the construction – and deconstruction - of the ‘Romantic’ author’; transmission and revision; translation and imitation; ideas of the self and gender; intertextuality, adaptation, and rewriting; creating and destroying the past; and writing revolution. Texts studied will range across poems, novels and prose.

Making Something Happen: 20th Century Poetry and Politics

This module introduces key modern and contemporary poets.

You will build a detailed understanding of how various poetic forms manifest themselves in particular historical moments. Unifying the module is an attention to poets’ responses to the political and ideological upheavals of the 20th century.

The module will include such (primarily) British and Irish poets as:

  • W.B. Yeats
  • T.S. Eliot
  • W. H. Auden
  • Dylan Thomas
  • Ted Hughes
  • Sylvia Plath
  • Wislawa Szymborska
  • Tony Harrison
  • Seamus Heaney
  • Derek Mahon
  • Adrienne Rich
  • Geoffrey Hill
  • Jo Shapcott
  • Patience Agbabi
  • Alice Oswald

Some of the forms examined will include: the elegy, the pastoral (and anti-pastoral), the ode, the sonnet (and sonnet sequence), the ekphrastic poem, the version or retelling, the villanelle, the parable and the sestina.

To develop a more complete perspective on each poet’s engagement with 20-century formal and political problems, we also examine these figures’ writings in other modes. This includes critical essays, manifestos, speeches, and primary archival materials such as letters and manuscript drafts.

Grounding each week will be readings on poetry and the category of the ‘political’ from an international group of critics, including such thinkers as Theodor Adorno, Charles Bernstein, Claudia Rankine, Peter McDonald, Angela Leighton, Christopher Ricks and Marjorie Perloff.

This module is worth 20 credits.

Reformation and Revolution: Early Modern literature and drama 1588-1688

Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.

Modern Irish Literature and Drama

Examine 20th century Irish literature and drama.

Taking the Irish Literary Revival as a starting-point, you will consider authors in their Irish and European context. Such authors include:

  • W.B. Yeats
  • J.M. Synge
  • Lady Gregory
  • James Joyce
  • Seán O'Casey
  • Seamus Heaney
  • Brian Friel
  • Marina Carr

We focus on reading texts in relation to their social, historical, and political contexts.

This includes tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.

This module is worth 20 credits.

One and Unequal: World Literatures in English

This module examines the late twentieth and early twenty-first century globe through its correlates in fiction. The primary materials for the module will be post-war Anglophone works drawn from a wide geographical range across the world. After introducing the history of the idea of world literature, these works will be situated within a series of theoretical ‘worlds’: world literary systems; post-colonial criticism; cosmopolitanism; world ecologies; resource culture; literary translation theory. The module will also attend to critiques of 'world literature’ as a concept.

English language and applied linguistics

Teaching English as a Foreign Language

The module is designed to provide students with an understanding of the process of English Language Teaching (ELT) and of the theoretical underpinnings of this practice. In this module students will learn the principles behind the learning and teaching of key aspects and skills of English, including:

  • vocabulary
  • grammar
  • reading
  • writing
  • speaking
  • listening
  • intercultural communicative skills

Students will also learn how to apply these theoretical principles to the development of teaching materials. This module will therefore be of interest to students who want to pursue a teaching career, and in particular to those interested in teaching English as a second or foreign language.

This module is worth 20 credits.

Advanced Stylistics

This module offers an advanced study of the language of literary texts and how it impacts reading and interpretation. It bridges the gap between the literary and linguistics aspects of our BA degrees. It also equips you with skills that will be useful in the teaching of English, or for a career in publishing.

You will study:

  • literary style and technique
  • the style of poetry and narrative
  • the representation of characters' voices and consciousness
  • the style of difficult texts, such as surrealism
  • the history of literary style

You will learn to explain how style contributes to meaning and interpretation, and why texts affect you in different ways.

This module is worth 20 credits.

Language and Feminism

This module provides comprehensive knowledge of feminist theory, as applied to a series of language and linguistic contexts.

You will explore a range of analytical approaches to language, including conversation analysis, critical discourse analysis, and interactional sociolinguistics. You will also respond to, and critically engage with, contemporary real-world problems associated with gender and sexuality, through the consideration of discourse-based texts.

Topics covered include:

  • gender and sexual identity construction in a range of interactive contexts
  • sexist, misogynistic, homophobic and heteronormative representations in texts
  • feminist theory from the 1970s to the present, with particular focus on contemporary approaches to gender theory

This module is worth 20 credits.

Language and the Mind

Speaking, listening, reading, and writing are a complex set of behaviours that are a fundamental part of our daily lives. And yet they remain difficult to fully explain.

When you hear ‘FIRE’, you immediately look for an exit and start moving. Yet all that a speaker has done is produce a string of sounds. Your mind distinguishes these from the murmuring of other voices, feet clomping on the floor, and any background music. Your mind matches the sounds f-i-r-e with a word, retrieves the meaning, and relates them to the current circumstances and responds accordingly.

How does the mind do this? And what makes our minds so special that we can do this? On this module, we begin to address these questions.

You will consider:

  • Is there a language gene?
  • What makes human language different from animal communication?
  • What is the relationship between thought and language?
  • Does everyone talk to themselves? What purpose does our inner voice serve?
  • How do we learn language? And does cognition underpin our ability to learn language?
  • What do language deficits tell us about language and the brain?
  • How do we understand and produce speech, words, and sentences?
  • What is the best way to teach children to read?
  • How is sign language similar to/different from spoken language?

This module is worth 20 credits.

Medieval languages and literatures

English Place-Names

The module uses the study of place-names to show the various languages – British, Latin, French, Norse and English – that have been spoken in England over the last 2000 years.

You will learn how place-name evidence can be used as a source for the history of English, including:

  • its interaction with the other languages
  • its regional and dialectal patterns
  • its changing vocabulary

We also consider the interdisciplinary contribution that place-names offer to historians and geographers.

For this module's assessment, you can choose a geographical area of particular interest.

This module is worth 20 credits.

Old English Heroic Poetry
This module gives an opportunity to those who already have a basic knowledge of Old English language and literature to explore some of the astonishing range of texts from the earliest stages of English literature. The texts studied are heroic and Christian. Themes include Germanic myth and legend, heroic endeavour, Christian passion. A study of the epic poem Beowulf — its characters, its themes, its ‘meaning’ — is essential to the module. Texts are read in Old English (with plenty of help given).
Dreaming the Middle Ages: Visionary Poetry in Scotland and England

The genre of dream-vision inspired work by all the major poets of the Middle Ages, including William Langland, the Pearl-Poet, and Geoffrey Chaucer. The course will aim to give you a detailed knowledge of a number of canonical texts in this genre, as well as ranging widely into the alliterative revival, and chronologically into the work of John Skelton in the early sixteenth century. The course will depend upon close, detailed reading of medieval literary texts, as well as focusing on the variety and urgency of issues with which dream poetry is concerned: literary, intellectual, social, religious and political.

Songs and Sonnets: Lyric poetry from Medieval Manuscript to Shakespeare and Donne

Through the exploration of lyric poetry, this module examines cultural and literary change from the fourteenth to the seventeenth century. It will consider the rise of ‘named poet’, the interaction of print and manuscript culture, the representation of love, and the use of the female voice. It will develop further students’ confidence in handling formal poetic terminology and reading poetry from this period. It will also enable students to think pragmatically about the transmission of lyric in modern editions, and about how best to represent the form.

The Viking Mind

Our images of Vikings come largely from the Icelandic sagas. These present a Viking Age of daring exploits, global exploration and bloody feuds, as carried out by valiant warriors and feisty women. But how accurate are the sagas when it comes to understanding what really happened in the Viking Age? Can they provide an insight into the Viking mind?

This module explores Norse and Viking cultural history, using an interdisciplinary approach grounded in the study of texts. 

Topics covered include:

  • The Viking Age and Viking society
  • Exploration and diaspora
  • Gender, marriage and family
  • Religion and belief
  • Outlaws
  • Poetry
  • The supernatural

Your one-hour lectures will provide the evidence base for discussion in the two-hour, student-led seminars. The seminars also include some language work.

Assessment for this module is by a one-hour exam of comment and analysis, and a 3000-word project on a topic of your choice in consultation with a tutor.

This module is worth 20 credits.

Drama and performance

Contemporary Performance and Theatre Making

This module focuses on the creative process of making theatre as an ensemble. The first half of the module introduces a range of practical and theoretical approaches, including Stanislavski, Lecoq, Laban, Meyerhold, along with approaches to devised and physical theatre influenced by companies such as Frantic Assembly and Gecko. This work builds on the understanding of performance conventions developed through practical workshops begun in the first year Drama, Theatre, Performance module, and the performance theory through practice approach of the second year Stanislavski to Stelarc module. For the second half of the module, students assess which of these practical and theoretical models they wish to draw on through rehearsal practice and discussion as they develop a short , assessed, ensemble piece(s) for public performance.

Reformation and Revolution: Early Modern literature and drama 1588-1688

Literature and Drama across the early modern period contributed to, and was often caught up in, dramatic changes in social, political, and religious culture which changed the way that people experienced their lives and the world around them. This module gives students the opportunity to read a wide range of texts in a multitude of genres (from drama, to prose fiction, pamphlets and poetry) in their immediate contexts, both cultural and intellectual. This module will situate the poetry, prose and drama between 1580 and 1700 against the backdrops of civil war and political revolution, scientific experimentation, and colonial expansion; in doing so, it will ask how the seventeenth century forms our current understandings of the world. Students will be encouraged to read widely, to develop a specific and sophisticated understanding of historical period, and to see connections and changes in literary and dramatic culture in a period which stretches from the Spanish Armada of 1588 to the ‘Glorious Revolution’ of 1688.

Changing Stages: Theatre Industry and Theatre Art

Peter Pan, Les Misérables, Hamilton... just a few of the iconic productions that started life in London’s West End, or on Broadway in New York. But why and how did they become so successful?

The 20th and 21st centuries have seen major changes in the way theatre is financed, produced and presented, both on stage and on screen. This module explores the fascinating world of theatre production, covering:

  • the development of long-running, commercial productions
  • the role of the theatre producer in making theatre
  • subsidised theatre
  • touring and national theatre companies
  • reviewing cultures
  • relationship between the theatre and film industries
  • the advent of the mega-musical

Examining the mainstream and the fringes, we apply case studies including Shakespeare in production, new plays, revivals, and international hits like the ones listed above, illustrating how theatre responds to changing contexts and audiences.

This module is worth 20 credits.

Modern Irish Literature and Drama

Examine 20th century Irish literature and drama.

Taking the Irish Literary Revival as a starting-point, you will consider authors in their Irish and European context. Such authors include:

  • W.B. Yeats
  • J.M. Synge
  • Lady Gregory
  • James Joyce
  • Seán O'Casey
  • Seamus Heaney
  • Brian Friel
  • Marina Carr

We focus on reading texts in relation to their social, historical, and political contexts.

This includes tracking significant literary and cultural responses to Irish experiences of colonial occupation, nationalist uprising and civil war, partition and independence, socio-economic modernisation, and the protracted period of violent conflict in Northern Ireland.

This module is worth 20 credits.

English Dissertation

Joint Honours students have the option of writing an individual research project in their final year in the School of English.

This will give you the chance to work on a one-to-one basis with a supervisor on an agreed area of study to produce a detailed and sustained piece of writing.

This can be on a topic of language, literature or performance, or there is the option of undertaking a project-based dissertation, which will suit those students interested in applied or 'hands on' aspects of English as a discipline.

The topics available build on the School’s engagement with local theatres and literacy projects.

The above is a sample of the typical modules we offer but is not intended to be construed and/or relied upon as a definitive list of the modules that will be available in any given year. Modules (including methods of assessment) may change or be updated, or modules may be cancelled, over the duration of the course due to a number of reasons such as curriculum developments or staffing changes. Please refer to the module catalogue for information on available modules. This content was last updated on

Fees and funding

UK students

£9,250
Per year

International students

To be confirmed in 2022*
Keep checking back for more information

*For full details including fees for part-time students and reduced fees during your time studying abroad or on placement (where applicable), see our fees page.

If you are a student from the EU, EEA or Switzerland, you may be asked to complete a fee status questionnaire and your answers will be assessed using guidance issued by the UK Council for International Student Affairs (UKCISA) .

Additional costs

All students will need at least one device to approve security access requests via Multi-Factor Authentication (MFA). We also recommend students have a suitable laptop to work both on and off-campus. For more information, please check the equipment advice.

Books

You'll be able to access most of the books you’ll need through our libraries, though you may wish to buy your own copies of core texts. A limited number of modules have compulsory texts which you are required to buy. We recommend that you budget £100 per year for books, but this figure will vary according to which modules you take. The Blackwell's bookshop on campus offers a year-round price match against any of the main retailers (e.g. Amazon, Waterstones, WH Smith). They also offer second-hand books, as students from previous years sell their copies back to the bookshop.

Year Abroad - Reduced fees (subject to change)

As a year abroad student, you will pay reduced fees. For students spending their year abroad in 2022 this was set at:

  • Home/EU students: £1,385
  • International: 50% of the relevant international fee

Costs incurred during the year abroad

These vary from country to country, but always include:

  • travel
  • accommodation
  • subsistence
  • insurance

Depending on the country visited you may also have to pay for:

  • visa
  • vaccinations
  • self-funded language courses
  • additional administration fees and study supplies in the host country or organisation

There are a number of sources of funding:

  • Student Finance Loan
  • Means-tested travel grant
  • University of Nottingham bursaries and scholarships

Your access to funding depends on:

  • the course you are taking
  • your residency status
  • where you live in term time
  • your household income

You may be able to work or teach during your year abroad. This will be dependent on your course and country-specific regulations. Often students receive a small salary or stipend for these work placements. Working or teaching is not permitted in all countries. More information on your third year abroad.

Volunteering and placements:

For volunteering and placements e.g. work experience and teaching in schools, you will need to pay for transport and refreshments.

Optional field trips:

Field trips allow you to engage with source materials on a personal level and to develop different perspectives. They are optional and costs to you vary according to the trip; some require you to arrange your own travel, refreshments and entry fees, while some are some are wholly subsidised.

Scholarships and bursaries

Faculty of Arts Alumni Scholarships

Our Alumni Scholarships are funding opportunities gifted by some of our alumni who want to help support the next generation through higher education. These scholarships provide eligible students with financial contributions toward essential living costs. Find out more about eligibility and how to apply.

Home students*

Over one third of our UK students receive our means-tested core bursary, worth up to £1,000 a year. Full details can be found on our financial support pages.

* A 'home' student is one who meets certain UK residence criteria. These are the same criteria as apply to eligibility for home funding from Student Finance.

International students

We offer a range of international undergraduate scholarships for high-achieving international scholars who can put their Nottingham degree to great use in their careers.

International scholarships

Careers

Studying languages can open up a world of opportunities. From banking to charities and from teaching to MI5, businesses and organisations across the globe seek to employ language specialists.

During this degree you’ll be able to choose from a wide range of modules, allowing you to tailor your studies around personal interests. In doing so you’ll start to identify potential career paths and begin to discover your areas of professional interest.

In addition to language skills, you’ll develop transferable skills highly sought after by employers such as confident communication skills, strict attention to detail and the ability to work within different cultures and organisational styles.

Combining language studies with English will help you develop the ability to communicate effectively, present your ideas engagingly and critically examine diverse forms of communication.

“My [language] studies have helped me to develop excellent communication skills, as well as helping me to hone my reading, writing, listening and speaking skills for both my target languages.  I have also become a much more resilient learner, being able to persevere when things start to get tough and independently solve issues where possible.” Charlotte Allwood , French and Contemporary Chinese Studies BA

Find out more about careers of Modern Language students

Average starting salary and career progression

82.2% of undergraduates from the School of English secured employment or further study within 15 months of graduation. The average annual salary was £22,740.*

*Data from UoN graduates, 2017-2019. HESA Graduate Outcomes. Sample sizes vary.

78.1% of undergraduates from the Department of Modern Languages and Cultures secured employment or further study within 15 months of graduation. The average annual salary was £24,477.*

*Data from UoN graduates, 2017-2019. HESA Graduate Outcomes. Sample sizes vary.

Studying for a degree at the University of Nottingham will provide you with the type of skills and experiences that will prove invaluable in any career, whichever direction you decide to take.

Throughout your time with us, our Careers and Employability Service can work with you to improve your employability skills even further; assisting with job or course applications, searching for appropriate work experience placements and hosting events to bring you closer to a wide range of prospective employers.

Have a look at our careers page for an overview of all the employability support and opportunities that we provide to current students.

The University of Nottingham is consistently named as one of the most targeted universities by Britain’s leading graduate employers (Ranked in the top ten in The Graduate Market in 2013-2020, High Fliers Research).

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" I’ve found studying two subjects so rewarding. You get to study things from different perspectives which you probably wouldn't be able to do as much as a single honours student. If you want to study more than one subject, you aren't being indecisive and you won't regret it! "
Ellie Abbey

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Important information

This online prospectus has been drafted in advance of the academic year to which it applies. Every effort has been made to ensure that the information is accurate at the time of publishing, but changes (for example to course content) are likely to occur given the interval between publishing and commencement of the course. It is therefore very important to check this website for any updates before you apply for the course where there has been an interval between you reading this website and applying.